Tag Archives: #PhillyJazzApp

Jazz Venues, Main Channel

Aqua Lounge

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Owned by Paul Myers, the Aqua Lounge was the heart of “the Strip” during the 1960s and ’70s. The first jazz club on the Strip, the Aqua Lounge played host to jazz and blues greats, including Roy Ayers, Jimmy Smith, Dave Burrell, Bootsie Barnes, Herbie Hancock, Freddie Hubbard, Lee Morgan and Irene Reid.

In an interview with the University of Pennsylvania School of Arts and Sciences’ West Philadelphia Music Project, jazz drummer Lucky Thompson shared his memories of the Aqua Lounge:

And right along 52nd street, there was a club called the Aqua Lounge, it used to bring a lot of famous musicians through there, like Miles, Max [unclear], and I mean they would come out and stand in one of the corners smoking a cigarette, and Philly Joe Jones, and umm, a lot of Shirley Scott, a lot of famous musicians. Called the Aqua Lounge. That was one of the clubs known for being on the strip.

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Blog, Main Channel

Women in Jazz Month

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March is Women in Jazz Month, a time to celebrate the contributions of women to jazz.

As a lifelong activist, I want to celebrate the role that women in jazz played in paving the way for the Civil Rights Movement. While Billie Holiday’s “Strange Fruit” is well-documented, Ethel Waters’ “Supper Time” is not well-known. Written by Irving Berlin especially for Waters, the song is about a wife’s grief over the lynching of her husband.


I also want to celebrate the pioneering women of the International Sweethearts of Rhythm, the first racially-integrated all-female big band. The 17-piece band was led by vocalist Anna Mae Winburn.

international-sweethearts-of-rhythm-e1425870519326

The Sweethearts were popular in the 1940s. Indeed, they were one of the top swing bands, appearing on radio broadcasts, and touring the U.S. and Europe.

The group disbanded in 1949.

Green Book, Jazz Landmarks, Main Channel

Dunbar/Lincoln Theater

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African American bankers E. C. Brown and Andrew Stevens opened the Dunbar Theater in 1919, with plans to offer refined entertainment. However, within two years, business floundered and Brown and Stevens sold the theater to John T. Gibson, the black owner of the more raucous Standard Theater on South Street.

Later during the Depression, Gibson was forced to sell the theater to white owners who renamed it the Lincoln Theater.

Dunbar Theatre - Lombard Street Sign

From the 1920s to 1940s, the 1600-seat theater hosted major performers such as Duke Ellington, Louise Beavers, Willie Bryant, Lena Horne, Don Redman, Ethel Waters, Cab Calloway, Paul Robeson and Fats Waller.

Lincoln Theater 1.2

The joint was jumping.

Jazz Venues, Main Channel

Mr. Silk’s 3rd Base

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Gus “Mr. Silk” Lacey, was the unofficial mayor of 52nd Street, aka “the Strip.” He and his wife, Virginia, owned Mr. Silk’s 3rd Base. Heavyweight champion Joe Frazier, and music legends Cab Calloway, Teddy Pendergrass and Stevie Wonder were among the celebrities who frequented Silk’s.

Mr. Silk's 3rd Base

Jazz vocalist Jimmy Scott performed here. In his biography, Faith in Time: The Life of Jimmy Scott, he recounted the neon sign outside read: “Always Touch Third Base Before You Go Home.”

Silk’s 3rd Base was featured in the 1972 blaxploitation film Trick Baby.

Film critic Dan Buskirk wrote:

Between “White Folks” and Blue, we see both sides of the city: from a posh dinner party where “White Folks” meets well-heeled businessmen whose greed makes them potential marks as well as the raucous scene at “Mr. Silk’s Third Base” a West Philly nightclub that functions as Blue’s unofficial office. We see a lot of the warm glowing interior of Mr. Silk’s. The club was a real place, a center of African American nightlife at 52nd and Spruce (their slogan was “You have to touch 3rd Base before you go home”). Owner Gus Lacy was “Mr. Silk,” by all accounts a bon vivant who received his smooth moniker by selling ladies’ undergarments along his postal route. He was also known as “The Mayor of 52nd Street” and before it closed in 1985 politicians, pimps and regular folks rubbed shoulders with stars like Stevie Wonder, Muhammad Ali and James Earl Jones. It’s a blessing that this little corner of the world was captured on film.

A blessing indeed.

Green Book, Jazz Venues, Main Channel

Café Society

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Located on the Golden Strip, the Café Society was listed in The Negro Motorist Green Book.

In Whisper Not: The Autobiography of Benny Golson, the NEA Jazz Master recounted:

I used to dream of playing with Philly Joe. He played with all my recorded heroes when they came to town: Coleman Hawkins, Ben Webster, Roy Eldridge, Charlie Parker, Dizzy Gillespie, and Eddie Heywood. I came home from my first year in college, in 1948, and “Bass” Ashford, a mainstay on the local scene, asked me to join his quartet for the entire summer season at Café Society, at 13th Street and Columbia Avenue. Café Society was a very popular jazz spot in North Philly, not far from where I lived and only three blocks from John Coltrane’s house. John often popped in while the group played there. I showed up for the first rehearsal to find that Philly Joe would be our percussionist! I almost fainted. I acted as if nothing were unusual, but I was flying.

Cafe Society - Philly Joe Jones - Benny Golson - Caption

Published by Temple University Press, Golson’s autobiography is available for purchase here.

Jazz Venues, Main Channel

Rendezvous Room

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The Rendezvous Room was located on the first floor of the Hotel Senator. It was operated by Irvin Wolf from 1947 to 1955.

RendezVous Room - Featured Image

In a piece for the Tri-state Jazz Society, Rabbi Lou Kaplan wrote:

Located at 915 Walnut Street in the Hotel Senator, the Rendezvous was owned by jazz enthusiast Lee Guber. It opened January 22, 1947. After entering, one saw a long U-shaped bar on the right, behind which the bandstand was situated. To the left were tables for customers. More tables were available in the back of the room than in the narrow front section. A large photomural blowup of Pablo Picasso’s Three Musicians painting dominated a corner wall.

Many singers who later became big names made their first or an early start in the Rendezvous: Rosemary Clooney, Eydie Gorme, Joni James, Patti Page, to list a few. Later came such well-known vocalists as Thelma Carpenter, Ella Fitzgerald, Ella Mae Morse, Maxine Sullivan, Sarah Vaughan, and Lee Wiley. (I recall marveling one night at how Billie Holiday’s relaxed, syncopated phrasing reshaped each number.) Booked, too, were folk singers Harry Belafonte, Burl Ives, and Josh White; actor John Carradine; musicians Earl Hines, Gene Krupa, Meade Lux Lewis, Charlie Parker, and Artie Shaw; and many other “greats.”

While the Rendezvous engaged various types of entertainment, most prominent was Dixieland jazz. The number one jazz attraction was Bechet, who, for instance, was featured four times in one 12- month period, each for a minimum of two weeks. Actress Tallulah Bankhead, a Bechet devotee and friend, came to the club whenever possible if he was playing. One night she asked Guber, “Would you like to sell twice as much whiskey?” After the owner’s obvious reply, Bankhead, in her husky baritone voice, laughingly advised, “Well, try filling up the glasses!”

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