Must-See TV: ‘The Sit-In’

For one week in February 1968, Harry Belafonte hosted “The Tonight Show,” then the highest-rated late night television show. Belafonte’s guests included Robert F. Kennedy, Bill Cosby, Lena Horne, Nipsey Russell, Paul Newman, Wilt Chamberlain, Buffy Sainte-Marie, Dionne Warwick, Aretha Franklin, Sidney Poitier and Dr. Martin Luther King Jr.

A documentary about that magical week of interviews and performances, “The Sit-In: Harry Belafonte Hosts the Tonight Show,” was scheduled to be screened at the 2020 Tribeca Film Festival. But along came the coronavirus. Variety reports:

It was 1968, war was raging and racial tensions in America were at a boiling point, dividing the nation. In February, Harry Belafonte stepped in for Johnny Carson to host “The Tonight Show.” It was a monumental moment in which an African American would be the frontman of the most dominant program in late night — and perhaps all of TV — for an entire week. Guests included Lena Horne, Paul Newman, Aretha Franklin, Martin Luther King Jr. and Robert F. Kennedy.

The doc was scheduled to screen in April at the Tribeca Film Festival, not far from where “The Tonight Show” was filmed in the ’60s, with an after-film discussion that was to have included Belafonte’s daughter, Gina. “We were so excited,” says Richen. “It’s a New York story, and I’m a New Yorker.”

But as with many eagerly anticipated independent films this year, the movie’s launchpad disappeared when the festival was canceled due to the coronavirus, making it a work about the events of yesterday informing today — trumped by the health crisis of the moment.

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WHYY House Concert Series

With the coronavirus lockdown in its third month, WHYY recently launched a digital program to bring mini-concerts into your living room.

WHYY House Concert Series

Musicians and songwriters in the Philadelphia region are invited to submit a song video for consideration on air in the virtual concert series and content in their weekly program, “You Oughta Know.”

Complete the submission form for a chance to be featured in the WHYY House Concert Series.

National Jazz Museum in Harlem Virtual Concert

The National Jazz Museum in Harlem is presenting a virtual concert to showcase the Museum’s broad community of artists. Curated by Artistic Directors Jon Batiste and Christian McBride, a native Philadelphian, the concert will feature performances by pianist Batiste, bassist McBride, vocalist Catherine Russell, among other artists.

National Jazz Museum CRIB Collective Virtual Concert

The concert will be held on Wednesday, May 20, 2020, 7:00 pm ET on Facebook Live. To reserve a spot, go here.

To support the CRIB Collective Concert Series and other programming at the National Jazz Museum in Harlem, text “Jazz” to 41444 or donate here.

Jazz Foundation Musicians’ Emergency Fund Concert

With stay-at-home orders in place, gig workers are among the hardest hit. With few exceptions, musicians are part of the gig economy. With the live music industry on lockdown, musicians can’t work. And if they can’t work, they don’t get paid.

On Thursday, May 14, 8pm to 10pm ET, the Jazz Foundation of America will present #TheNewGig Live!, a digital fundraiser benefiting jazz, blues and roots musicians who have lost gigs due to the coronavirus.

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JFA has established a COVID-19 Musicians’ Emergency Fund to help musicians and their families survive the Coronavirus Lockdown. To make a donation, visit jazzfoundation.org/covid19.

Virtual Preservation Month 2020

May is Preservation Month, a time to celebrate places that matter to you. Since 2013, I have led walking tours of African American historic sites in Philadelphia. Amid the coronavirus lockdown, the National Trust for Historic Preservation is making a virtue of necessity:

Even though many historic places are physically closed right now, we at the National Trust for Historic Preservation are opening a window to a world of adventure online with Virtual Preservation Month.

Throughout the month of May, the National Trust is bringing you the very best in preservation from coast to coast, offering 31 days of rich digital experiences at historic places to inspire, delight, and entertain you. Whether coming from our National Trust Historic Sites, Historic Artists’ Homes and Studios, or National Treasures, each day will unlock a new experience and help you step out while you stay in. You’ll wander the rooms of iconic houses, roam wide-open spaces, and peek behind the scenes at some of your favorite historic sites—all at your own pace.

The National Trust spearheads the campaign to restore Nina Simone’s childhood home in Tryon, North Carolina. In August 2019, the National Trust and Come Hear North Carolina organized a concert at the three-room house featuring Vanessa Ferguson, a finalist in season 12 of NBC’s The Voice.

To receive daily email or text reminder of the National Trust’s virtual experience, go here.

International Jazz Day 2020

In November 2011, the United Nations Educational, Scientific and Cultural Organization (UNESCO) designated April 30 as International Jazz Day “in order to highlight jazz and its diplomatic role of uniting people in all corners of the globe”:

International Jazz Day brings together communities, schools, artists, historians, academics and jazz enthusiasts all over the world to celebrate and learn about jazz and its roots, future and impact; raise awareness of the need for intercultural dialogue and mutual understanding; and reinforce international cooperation and communication. Every year on April 30, this international art form is recognized for fostering gender equality and for promoting individual expression, peace, dialogue among cultures, diversity, respect for human dignity, and the eradication of discrimination.

Amid the coronavirus outbreak, International Jazz Day 2020 celebrations in South Africa have been canceled. Instead, the show will go online. Herbie Hancock, UNESCO Goodwill Ambassador for Intercultural Dialogue and Co-Chair of International Jazz Day, said:

These are unprecedented times for world citizens and we are most grateful for the support, understanding and partnership of our Jazz Day community. Armed with optimism, patience and grace, we’ll work through these challenges as families, communities, countries and as a stronger united world. Now more than ever before, let’s band together and spread the ethics of Jazz Day’s global movement around the planet and use this as a golden opportunity for humankind to reconnect, especially in the midst of all this isolation and uncertainty.

The Global Concert will feature performances by artists from across the globe including Joey DeFrancesco, Marcus Miller, Lang Lang, Charlie Puth, Cécile McLorin Salvant, John McLaughlin, Dianne Reeves, Dee Dee Bridgewater, Sibongile Khumalo, Alune Wade, John Beasley, Ben Williams, Lizz Wright, John Scofield, Igor Butman, Evgeny Pobozhiy, Youn Sun Nah, A Bu and Jane Monheit.

International Jazz Day 2020 - Lineup

The concert will be streamed live on jazzday.com, beginning at 3:00 pm ET.

Blackfishing Marian Anderson

Easter Sunday marked the 81st anniversary of Marian Anderson’s performance at the Lincoln Memorial before an audience of 75,000. She sang outdoors because the Daughters of the American Revolution, an organization of white descendants of Revolutionary War veterans, banned African Americans from performing at Constitution Hall which DAR owns.

Marian Anderson - Lincoln Memorial

Five days earlier, the National Endowment for the Humanities announced $22.2 million in new grants including $650,000 for a documentary about Marian Anderson. Michael Kantor, executive producer of American Masters, is the project director.

I was thrilled the civil rights icon was finally getting the American Masters treatment. The thrill was gone when I found out the Marian Anderson Museum & Historical Society is not included in the grant.

NEH - No Funding

Jillian Patricia Pirtle, CEO and President of the Marian Anderson Museum & Historical Society, was interviewed by Robert Rapley, a producer and writer for The American Experience. It is ironic the producer of The Abolitionists thinks it’s cool to pick a black woman’s brain for free.

NEH - Robert Rapley

This is Kantor’s second helping of taxpayers’ money for the same project. In 2018, NEH awarded him $75,000 for the “development of a script and trailer for a sixty-minute documentary film on the popular singer Marian Anderson.” This video is the grant product.

Marian Anderson was born and nurtured in Philadelphia. She first performed at Union Baptist Church. When her family couldn’t afford private lessons, members of the congregation pitched in and raised money for a voice teacher. I spoke up in support of preservationist Oscar Beisert’s effort to save the church. In 2015, the historic church was demolished to make way for luxury condos for gentrifiers.

Marian Anderson Church - 7.11.16

I spoke up when residents of Graduate Hospital, the most gentrified neighborhood in Philadelphia, floated the idea of renaming their community “Marian Anderson Village.” African Americans have been displaced but gentrifiers want the cultural cachet of the internationally renowned contralto without the people who look like her.

Graduate Hospital - Marian Anderson Village

Cultural appropriation or blackfishing has no bounds. Karen Attiah, global opinions editor for The Washington Post, observed, “It’s America’s obsession with blackness, and black culture – without black people.”

Blackfishing - Karen Attiah

Michael Kantor is awarded $725,000 for a documentary. Meanwhile, the cultural institution that preserved Marian Anderson’s South Philly rowhouse and keeps her story in public memory is starving for resources.

NEH - No Funding2

Legendary conductor Arturo Toscanini once said, “Hers is a voice heard once in a hundred years.” Sadly, blackfishing Marian Anderson is an all too common occurrence.