The Rendezvous Room was located on the first floor of the Hotel Senator. It was operated by Irvin Wolf from 1947 to 1955.
In a piece for the Tri-state Jazz Society, Rabbi Lou Kaplan wrote:
Located at 915 Walnut Street in the Hotel Senator, the Rendezvous was owned by jazz enthusiast Lee Guber. It opened January 22, 1947. After entering, one saw a long U-shaped bar on the right, behind which the bandstand was situated. To the left were tables for customers. More tables were available in the back of the room than in the narrow front section. A large photomural blowup of Pablo Picasso’s Three Musicians painting dominated a corner wall.
Many singers who later became big names made their first or an early start in the Rendezvous: Rosemary Clooney, Eydie Gorme, Joni James, Patti Page, to list a few. Later came such well-known vocalists as Thelma Carpenter, Ella Fitzgerald, Ella Mae Morse, Maxine Sullivan, Sarah Vaughan, and Lee Wiley. (I recall marveling one night at how Billie Holiday’s relaxed, syncopated phrasing reshaped each number.) Booked, too, were folk singers Harry Belafonte, Burl Ives, and Josh White; actor John Carradine; musicians Earl Hines, Gene Krupa, Meade Lux Lewis, Charlie Parker, and Artie Shaw; and many other “greats.”
While the Rendezvous engaged various types of entertainment, most prominent was Dixieland jazz. The number one jazz attraction was Bechet, who, for instance, was featured four times in one 12- month period, each for a minimum of two weeks. Actress Tallulah Bankhead, a Bechet devotee and friend, came to the club whenever possible if he was playing. One night she asked Guber, “Would you like to sell twice as much whiskey?” After the owner’s obvious reply, Bankhead, in her husky baritone voice, laughingly advised, “Well, try filling up the glasses!”