Tag Archives: Douglass Hotel

The Rendezvous was located in the lower level of the Douglass Hotel.

Douglass Hotel

In a May 11, 1959 conversation with celebrated jazz journalist Ralph J. Gleason, trumpeter Dizzy Gillespie shared an anecdote:

… in Philly, I had an interesting experience with Roy [Eldridge]. All the bands used to come to Philly. When I got to Philly in ’35, Roy was with Teddy Hill and Chu [Berry], and they used to jam downstairs in the Rendezvous up under the Douglas Hotel where the Showboat is now. Well, those guys used to play and I wouldn’t dare play, you know. I’d just go and listen to those guys. So one time, I remember, Rex Stewart, Duke Ellington, and Teddy Hill were there at the same time and they had a session downstairs and Roy was down there that night. And Rex, you know, Rex was Roy’s idol. Roy tells now about the time he first heard Rex play that high B flat. Roy finally found that B flat. I guess, ‘cause when he come to Philadelphia that night they was jammin’ round there and Roy started playing. Damn, Rex started crying and just tightened up and left ‘cause Roy was in rare form that night. I didn’t meet Roy until way later. I met him there, but he didn’t remember me.

Conversations in Jazz: The Ralph J. Gleason Interviews is available on Amazon.com.

Rendezvous Room

The Rendezvous Room was located on the first floor of the Hotel Senator. It was operated by Irvin Wolf from 1947 to 1955.

RendezVous Room - Featured Image

In a piece for the Tri-state Jazz Society, Rabbi Lou Kaplan wrote:

Located at 915 Walnut Street in the Hotel Senator, the Rendezvous was owned by jazz enthusiast Lee Guber. It opened January 22, 1947. After entering, one saw a long U-shaped bar on the right, behind which the bandstand was situated. To the left were tables for customers. More tables were available in the back of the room than in the narrow front section. A large photomural blowup of Pablo Picasso’s Three Musicians painting dominated a corner wall.

Many singers who later became big names made their first or an early start in the Rendezvous: Rosemary Clooney, Eydie Gorme, Joni James, Patti Page, to list a few. Later came such well-known vocalists as Thelma Carpenter, Ella Fitzgerald, Ella Mae Morse, Maxine Sullivan, Sarah Vaughan, and Lee Wiley. (I recall marveling one night at how Billie Holiday’s relaxed, syncopated phrasing reshaped each number.) Booked, too, were folk singers Harry Belafonte, Burl Ives, and Josh White; actor John Carradine; musicians Earl Hines, Gene Krupa, Meade Lux Lewis, Charlie Parker, and Artie Shaw; and many other “greats.”

While the Rendezvous engaged various types of entertainment, most prominent was Dixieland jazz. The number one jazz attraction was Bechet, who, for instance, was featured four times in one 12- month period, each for a minimum of two weeks. Actress Tallulah Bankhead, a Bechet devotee and friend, came to the club whenever possible if he was playing. One night she asked Guber, “Would you like to sell twice as much whiskey?” After the owner’s obvious reply, Bankhead, in her husky baritone voice, laughingly advised, “Well, try filling up the glasses!”