Tag Archives: Jazz Appreciation Month

Jazz Appreciation Month

April is Jazz Appreciation Month. America’s classical music is appreciated around the world but in New Orleans, the city where jazz was born, there was a 100-year-old ban on jazz in the public schools. While the ban was honored in the breach, it was only officially lifted last month. The prohibition was white supremacists’ tacit acknowledgement that jazz is Black music.

In an interview with the Associated Press, four-time Grammy winner Robert Glasper said that African Americans are reclaiming jazz:

Absolutely, because it’s African-American music… our ancestors are the ones who birthed this music. Blood, sweat and tears. And we, as a people, have gotten away from it and other people have taken it and been able to capitalize off of it.

We’re just living our truth, and that’s what it is. And we are jazz (musicians) — because some people say, “What they’re doing is not jazz.” Yes, it is — it literally is. It’s just jazz with a heartbeat. It’s still alive. What you like is dead. What we’re doing is alive. And that’s the difference.

To borrow a phrase from Grammy-winning producer Swizz Beatz: Long live jazz!

Jazz Appreciation Month 2021

The National Museum of American History designated April as Jazz Appreciation Month in 2001.

As made clear in his remarks before the 1964 Berlin Jazz Festival, Dr. Martin Luther King Jr. understood the power of jazz to bring about social change.

Sadly, Dr. King was assassinated on April 4, 1968 while standing on the balcony of the Hotel Lorraine in Memphis, Tennessee. I want to kick off Jazz Appreciation Month by remembering the Prince of Peace in song.

Jazz Appreciation Month 2020

April is Jazz Appreciation Month.

Jazz Appreciation Month 2020

This year, the National Museum of American History highlights women in jazz:

Jazz Appreciation Month (fondly known as “JAM”) was created right here at the museum in 2001 to recognize and celebrate the extraordinary heritage and history of jazz for the entire month of April.

JAM is intended to stimulate and encourage people of all ages to participate in jazz – to study the music, attend concerts, listen to jazz on radio and recordings, read books about jazz, and more.

This year, JAM celebrates the dynamic impact of the often-overlooked contributions that women have made to jazz, both on and off the stage. As performers and conductors, educators, and producers and directors of jazz festivals, women have made their mark but have continued to struggle for recognition on par with their male counterparts.

Jazz Appreciation Month 2020 - Women of Jazz Mural

In the days of social distancing, gig workers, including women and men in jazz, are struggling. NPR reports:

As panic over the coronavirus sweeps the globe, much of the focus is on the broader economic effects on businesses or venues that have to cancel events. But the coronavirus’ toll on working musicians is immediate and sometimes debilitating.

When people speak of the gig economy, they’re often thinking of Uber drivers or Instacart shoppers. But for freelance musicians, their patchwork of gigs pays the bills. And in the face of shuttered concert halls and a self-quarantining public, that patchwork is falling apart.

NPR Music is curating a list of livestreamed concerts, including the virtual jazz festival, Live From Our Living Rooms which runs from April 1 through April 7.

The Berks Arts Council is presenting Boscov’s Berks Jazz Fest Encore Online concert series on Facebook Live, Thursday, April 2 through Monday, April 6.

Also, WBGO created the “Livestream Hub” to help musicians and audiences connect virtually.

For information on resources for musicians in the Philadelphia metro area, visit Jazz Philadelphia.

Philly Jazz Legacy Project Social and Scanning Party

You are invited to the Spring Social and Scanning Party hosted by Documenting & Interpreting the Philly Jazz Legacy Project, Jazz Bridge and Philadelphia Jazz Project on Thursday, April 11, 2019, 6-8 p.m., at the Philadelphia Clef Club for Jazz & Performing Arts.

Please come and share photographs, clippings, posters, concert programs, etc., of the jazz scene back in the day.

Spring Social and Scanning Party Flyer - Clef Club

The event is free but you must register here.

Blue Note Salon

On December 8, 1956, the Miles Davis Quintet, featuring Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (bass) and Philly Joe Jones (drums) performed at the Blue Note. The set was featured on the Mutual Network live remote radio broadcast, Bandstand, U.S.A.

That same night, the police raided “the town’s swankiest jazz emporium.” The Blue Note was a “black and tan” club, an integrated nightspot where blacks and whites socialized on an equal basis. As such, it was the target of police harassment.

Philadelphia Tribune - Dec. 11, 1956

From the beginning, jazz was a tool for social change. Jazz musicians’ unbowed comportment created a cultural identity that was a steppingstone to the Civil Rights Movement. In remarks to the 1964 Berlin Jazz Festival, Dr. Martin Luther King Jr. said jazz is “triumphant music”:

Jazz speaks for life. The Blues tell the story of life’s difficulties, and if you think for a moment, you will realize that they take the hardest realities of life and put them into music, only to come out with some new hope or sense of triumph.

This is triumphant music.

Modern jazz has continued in this tradition, singing the songs of a more complicated urban existence. When life itself offers no order and meaning, the musician creates an order and meaning from the sounds of the earth which flow through his instrument.

It is no wonder that so much of the search for identity among American Negroes was championed by Jazz musicians. Long before the modern essayists and scholars wrote of racial identity as a problem for a multiracial world, musicians were returning to their roots to affirm that which was stirring within their souls.

Much of the power of our Freedom Movement in the United States has come from this music. It has strengthened us with its sweet rhythms when courage began to fail. It has calmed us with its rich harmonies when spirits were down.

On April 21, 2018, All That Philly Jazz and Black Quantum Futurism will present the “Blue Note Salon” which pays homage to jazz musicians’ legacy of resistance. The community discussion will feature creative change makers who work on social justice issues. Their work is at the intersection of art, community engagement and social change.

Blue Note Salon

The event is free and open to the public. To RSVP, go here.

Philly Celebrates Jazz 2018

April is Jazz Appreciation Month. There is a lot of appreciation for jazz in the City of Brotherly Love and Sisterly Affection so Philly is getting the party started early. On March 29, Mayor James Kenney will join the Office of Arts, Culture and the Creative Economy to kick off Philly Celebrates Jazz by honoring the 2018 Benny Golson Award recipient, fashion-forward bassist Jamaaladeen Tacuma.

Jamaaladeen Tacuma

From the Office of Arts, Culture and the Creative Economy:

Jamaaladeen Tacuma is celebrated internationally for his creatively free and funky approach to the electric bass. His innovative style caught Ornette Coleman’s ear, and he became the first bassist in Coleman’s electric band, Prime Time, touring and recording with the group throughout the 1970’s and 80’s. Viewed as one of the most distinctive bassists of his generation, Tacuma is credited for redefining the potential of the instrument. Tacuma debuted as a bandleader, composer, and arranger in 1983 with the album Showstopper, going on to develop compositions that blend Prime Time’s elaborate harmonies with engaging melodies. His 1988 album Jukebox was nominated for a Grammy Award in 1989; in 2011 his ongoing achievements were recognized by the award of a Pew Fellowship in the Arts; he is the 2017 recipient of Philadelphia Clef Club of Jazz Best Bassist Award. Tacuma’s artistic and experimental approach to jazz music has been and continues to be a source of great pride for the Philadelphia jazz scene.

The March 29 event is free and open to the public

Philly Loves Jazz Kickoff Event - March 29

To RSVP go here.

#NEAJazz17 Recap

The 2017 Jazz Masters are in the history book. With threats to its funding, will the National Endowment for the Arts itself be history? First, a recap of #NEAJazz17.

The NEA conferred the NEA Jazz Master award, the nation’s highest honor in jazz, on Dee Dee Bridgewater, Ira Gitler, Dave Holland, Dick Hyman and Dr. Lonnie Smith.

NEA Jazz Masters - Resize
2017 NEA Jazz Masters Dave Holland, Dick Hyman, Dee Dee Bridgewater, and Dr. Lonnie Smith (not pictured: Ira Gitler) at the 2017 NEA Jazz Masters Awards Dinner, sponsored by BMI, on April 2, 2017. Photo by Yassine El Mansouri

The celebration kicked off with the NEA Jazz Masters Listening Party at NPR, moderated by Jason Moran. The Jazz Masters and Fitz Gitler (representing his father) were joined in conversation by musicians whose lives they have influenced. They generously – and humorously – shared stories about their musical journey.

NPR Listening Party Collage

On April 3, the NEA held a tribute concert in the Jazz Masters’ honor at the John F. Kennedy Center for the Performing Arts.

While joy filled the air, there are some discordant notes. If the NEA is defunded, the Class of 2017 may be the last Jazz Masters. The New York Times reported:

President Trump’s budget proposal last month called for eliminating the endowment entirely — the first time any president has proposed such a step. While some members of Congress in his own Republican Party have opposed the move, it is a reminder of the agency’s vulnerability.

[…]

Created in 1965, the endowment provides funding to arts organizations, including jazz projects that are supported with dozens of grants each year. It also sends nearly half of its funding budget to regional arts organizations that disperse funds themselves.

The NEA can’t advocate for its own survival. So, as jazz and film critic Gary Giddins noted, it’s “jazz advocacy of the hip, by the hip and for the hip shall not perish from the Earth.”

Truth is, NEA is about more than jazz.

#SavetheNEA

The arts matter. Art transforms lives and communities. The arts are also an economic driver. So let’s make some noise. Here’s what you can do in two minutes to help #SavetheNEA.

Jazz Appreciation Month 2017

Founded by the National Museum of American History in 2002, April is Jazz Appreciation Month.

JAM Collage

The Smithsonian kicks off its celebration with a loving tribute to Ella Fitzgerald, the “First Lady of Song.”

The First Lady of Song - Ella Fitzgerald at 100

To find new ways to celebrate Jazz Appreciation Month, visit Smithsonian Jazz.

Philly Celebrates Jazz

April is Jazz Appreciation Month. The destruction of the Royal Theater, and John Coltrane and Women of Jazz murals gives one reason to believe otherwise, but Philly celebrates jazz.

Philly-Celebrates-Jazz

Mayor Jim Kenney kicked off the celebration by presenting the Benny Golson Award to multi-instrumentalist and “Late Show with Stephen Colbert” bandleader Jon Batiste.

Philly Loves Jazz - Jon Baptiste

Kenney said:

I am honored to present the first Benny Golson Award to Jon Batiste, who exemplifies what can be accomplished in using your talents in educating our youth in the importance of the arts and culture. As I have said many times, arts education is not a luxury, it is a necessity and one of the most effective ways of helping our children grow and develop into not only more creative, but also open-minded and compassionate people.

The Office of Arts, Culture and the Creative Economy organizes the month-long Philly Celebrates Jazz. Over 200 events are scheduled, including a photo exhibition, “Live Philly Jazz Vol. 2.

The WRTI Jazz Listening Sessions will be hosted by Jeff Duperon. The hour-long conversations will be held before a live audience in the Art Gallery @ City Hall. The listening sessions are free but space is limited. Seating is first come, first serve and you must register.

Over the course of Philadelphia’s jazz heyday, roughly 1940s to 1960s, there were jazz spots from the Aqua Lounge to Zanzibar Blue.

All That Philly Jazz - Aqua Lounge to Zanzibar Blue

The “Philly Celebrates Jazz Community Series” harkens back to the time when the joints were jumping in every neighborhood, including  “The Golden Strip,” Ridge Avenue and “The Strip.”

Philadelphia Celebrates Jazz Community Series

A complete calendar listing of Philly Celebrates Jazz events is available here.

Jazz Night Auditions at the Apollo Theater

April is Jazz Appreciation Month. The Apollo Theater is kicking off the celebration with auditions for a special Jazz Night edition of Amateur Night.

Jazz Auditions - Apollo Theater

Got jazz talent? Alright then grab your instrument, accompanist, CD, flash drive, MP3 player or dancing shoes and head on up to Harlem on Saturday, April 1. The Apollo will provide 88 key keyboard, drum kit, guitar and bass amps.

Jazz Amateur Night at the Apollo - April 1

For more information on how to audition and eligibility rules, go here.