Tag Archives: Cultural Heritage

Jazz and TV

In 1970, a band of musicians sounded a call to arms over the exclusion of black jazz musicians in the mass media, specifically commercial television. Broadcast TV was the dominant medium of the era. Multi-instrumentalist Rahsaan Roland Kirk spearheaded the Jazz and People’s Movement. Kirk circulated a petition in New York City jazz clubs which was signed by, among others, Lee Morgan, Charles Mingus, Andy Cyrrile, Freddie Hubbard, Cecil Taylor, Elvin Jones, Pharoah Sanders, Archie Shepp and Roy Haynes.

The petition read, in part:

Many approaches have been used through the ages in the attempted subjugation of masses of people. One of the very essential facets of the attempted subjugation of the black man in America has been an effort to stifle, obstruct and ultimately destroy black creative genius; and thus, rob the black man of a vital source of pride and liberating strength. In the musical world, for many years a pattern of suppression has been thoroughly inculcated into most Americans. Today many are seemingly unaware that their actions serve in this suppression – others are of course more intentionally guilty. In any event, most Americans for generations have had their eyes, ears and minds closed to what the black artist has to say.

Obviously only utilization of the mass media has enabled white society to establish the present state of bigotry and whitewash. The media have been so thoroughly effective in obstructing the exposure of true black genius that many black people are not even remotely familiar with or interested in the creative giants within black society.

Such injustice has reaped immense ramifications for white society. By suppressing black creativity the white man has managed to avoid competitive confrontation – thus insuring his own position and security, both emotionally and monetarily. Concomitantly, he has partially succeeded once more in emasculating a facet of black culture and the black quest for freedom. However, in one respect the pattern of suppression has clearly failed, for though there has been success in blocking the exposure of black artists, and in whitewashing the minds of most Americans, attempts to destroy the sources of creation have not succeeded.

Action to end this injustice should have begun long ago. For years only imitators and those would sell their souls have been able to attain and sustain prominence on the mass media. Partially through the utilization of an outlandish myth, that in artistic and entertainment fields bigotry largely no longer exists, and by showrooming those few blacks who have sold out, the media have so far escaped the types of response that such suppression and injustice should and now will evoke.

The Jazz and People’s Movement took action. Demonstrators disrupted tapings of The Tonight Show with Johnny Carson, The Dick Cavett Show and The Merv Griffin Show. They played instruments and blew whistles that they had smuggled into the studios where the shows were taped.

#TBT - Jazz and People's Movement Protest - August 1970

Also in the ‘70s, trumpeter, arranger and all-around musical genius Quincy Jones was on the board of the Institute of Black American Music whose mission was similar to Jazz and People’s Movement.

Billboard - IBAM - Nov. 6, 1971

Fast forward to today, the multi-Grammy winning Jones is taking a journey into jazz and beyond with Qwest TV, the world’s first subscription video-on-demand platform dedicated to jazz from bebop to hip-hop.

Qwest TV

In a statement, Jones said:

The dream of Qwest TV is to let jazz and music lovers everywhere experience these incredibly rich and diverse musical traditions in a whole new way.

At my core, I am a bebopper, and over the course of my seventy-year career in music I have witnessed firsthand the power of jazz – and all of its off-spring from the blues and R&B to pop, rock and hip-hop, to tear down walls and bring the world together. I believe that a hundred years from now, when people look back at the 20th century, they will view Bird, Miles and Dizzy, as our Mozart, Bach, Chopin and Tchaikovsky, and it is my hope that Qwest TV will serve to carry forth and build on the great legacy that is jazz for many generations to come.

Qwest TV co-founder Reza Ackbaraly added:

By bringing Qwest TV to the general public and to universities everywhere, we seek to promote the values inherent to jazz: hard work, diversity, openness towards others, mutual respect and consideration, cooperation, and improvisation. Jazz touches people across all national, social and cultural boundaries. Qwest TV is of course about extending that reach, but it is also about bringing exciting music from around the world back to jazz and music lovers who have yet to discover it. Quincy and I plan to build a community where the love goes both ways.

The streaming service will launch in fall 2017. For more info, visit Qwest TV.

2nd Annual Jazz Legacy Awards

On Monday, July 24, 2017, the jazz community, spearheaded by state Sen. Vincent Hughes and Sheryl Lee Ralph-Hughes, will celebrate seven pioneers in the world of arts and culture:

  • Marshall Allen, Sun Ra Arkestra
  • Joan Myers Brown, PHILADANCO
  • Abiodun Oyewole, The Last Poets
  • Odean Pope, Saxophonist
  • Mickey Roker (posthumously), Drummer
  • Sumi Tonooka, Pianist
  • Tony Williams, Saxophonist

2nd Jazz Legacy Award

The event is free but you must RSVP by contacting Tamica Tanksley via email or by phone at (215) 879-7777.

A Room with a View of the Blues

Earlier this month, I attended a panel discussion on “Art in Public Space” held in the Hamilton Garden of the Kimmel Center. As I waited for the program to start, I checked out the view from the top floor. What I saw left a hole in my heart.

PRI Vacant Lot

The hole is where Philadelphia International Records once stood.

PRI Collage - June 4, 2017

Kenny Gamble and Leon Huff have earned their place in history.

Kenny Gamble - Leon Huff - History

Sadly, the building that held the stories of the songwriters, musicians, producers and arrangers is now lost to history. For the love of money, African Americans’ cultural heritage was erased from public memory.

Gamble and Huff sold the historic building to Dranoff Properties which plans to build a luxury hotel and condos for the one percent. Three years after the demolition of “309,” there’s just a hole in the ground. The reason: Dranoff Properties is waiting for a corporate welfare check to the tune of $19 million before breaking ground on the “biggest, tallest and most expensive” project the company has ever done.

In the poorest big city in the country, spending taxpayers’ money to further enrich the rich is the sound of Philadelphia.

African-American Music Appreciation Month 2017

On June 7, 1979, President Jimmy Carter proclaimed the month of June “Black Music Month.” Every president since then has recognized the contribution of black musicians to the nation’s cultural heritage. In 2009, President Barack Obama changed the month-long celebration to “African-American Music Appreciation Month.”

The tradition continues with President Donald Trump:

During June, we pay tribute to the contributions African Americans have made and continue to make to American music. The indelible legacy of these musicians who have witnessed our Nation’s greatest achievements, as well as its greatest injustices give all Americans a richer, deeper understanding of American culture. Their creativity has shaped every genre of music, including rock and roll, rhythm and blues, jazz, gospel, hip hop, and rap.

[…]

We also take time this month to recognize the musical influence of two of the greatest jazz musicians of all time, Dizzy Gillespie and Ella Fitzgerald, as this year marks their centennial birthdays. Gillespie, through his legendary trumpet sound and Fitzgerald, through her pure, energetic voice, treated people around the world to spirited and soulful jazz music. Their work has influenced countless musicians, and continues to inspire listeners young and old.

NOW, THEREFORE, I, DONALD J. TRUMP, President of the United States of America, by virtue of the authority vested in me by the Constitution and the laws of the United States, do hereby proclaim June 2017 as African-American Music Appreciation Month. I call upon public officials, educators, and all the people of the United States to observe this month with appropriate activities and programs that raise awareness and appreciation of African-American Music.

I kicked off this year’s celebration by attending opening night of Motown The Musical.

The multi-media musical recaps familiar stories about how Berry Gordy Jr. founded the Motown Record Company; Gordy’s affair with Diana Ross; self-destructive Florence Ballard; the tempting Temptations and their rivalry with the Four Tops; songwriter, singer and Motown lifer Smokey Robinson; child prodigy and history-maker Stevie Wonder; and the discovery of The Jackson 5. The Motown breakups include Mary “My Guy” Wells, Marvin Gaye, songwriting and production team Holland-Dozier-Holland, and Diana Ross and the Supremes.

The audience went nuts when Martha Reeves and the Vandellas gave “Philadelphia, PA” a shout-out in “Dancing in the Streets.” Although one knows how the stories end, the retelling is fresh and joyous. The musical culminates with a “family” reunion to celebrate the 25th anniversary of Motown.

I remember like it was yesterday watching the television special, Motown 25: Yesterday, Today, Forever. In 1983, I sang the songs at the top of my lungs, danced in front of the TV, and marveled as Michael Jackson debuted the moonwalk. At the Academy of Music, I danced in my seat and tried not to sing too loud.

But it wasn’t just the songs and dancing that kept a smile on my face. I love that the music is contextualized. Motown addresses racial segregation in the South and the North, the senseless war in Vietnam, the March on Washington, the assassination of Dr. Martin Luther King Jr., and the Black Power Movement. By the 1970s, the “Motown Sound” was the sound of the struggle for racial justice.

Motown The Musical is playing at the Academy of Music through June 11. For ticket information, visit kimmelcenter.org.

Jazz Appreciation Month 2017

Founded by the National Museum of American History in 2002, April is Jazz Appreciation Month.

JAM Collage

The Smithsonian kicks off its celebration with a loving tribute to Ella Fitzgerald, the “First Lady of Song.”

The First Lady of Song - Ella Fitzgerald at 100

To find new ways to celebrate Jazz Appreciation Month, visit Smithsonian Jazz.

Jazz Night Auditions at the Apollo Theater

April is Jazz Appreciation Month. The Apollo Theater is kicking off the celebration with auditions for a special Jazz Night edition of Amateur Night.

Jazz Auditions - Apollo Theater

Got jazz talent? Alright then grab your instrument, accompanist, CD, flash drive, MP3 player or dancing shoes and head on up to Harlem on Saturday, April 1. The Apollo will provide 88 key keyboard, drum kit, guitar and bass amps.

Jazz Amateur Night at the Apollo - April 1

For more information on how to audition and eligibility rules, go here.

All That Philly Jazz Named One of the Best Jazz Blogs on the Planet

All That Philly Jazz was named one of the top 50 jazz blogs and websites for jazz musicians, teachers and students. We came in at #41. The list includes JazzWax and Jazz at Lincoln Center.

Way to go!

Top 50 Jazz Award - 2.9.17

For more news and mentions, check out ICYMI: All That Philly Jazz in the News.