In 1952, at the age of twenty-six, with the benefit of a G.I. loan, John Coltrane bought for himself, his mother, his aunt and his first cousin the North 33rd Street property. Coltrane lived here from 1952 until 1958. It was a big, rowhouse, built for a well-to-do middle class at the turn of the 19th century and a huge step up from the cramped quarters in a deteriorating area of town where the family had been living. Coltrane owned and lived in this home longer than any other during his legendary career as a composer and saxophonist.
In 1999, the John Coltrane House was designated a National Historic Landmark, a recognition accorded to places that have “exceptional value or quality in illustrating or interpreting the heritage of the United States.”
The recognition attests to the value of the house. The building is structurally sound but it needs some repairs. Money is needed to preserve the John Coltrane House for current and future generations.
For information on how you can help, contact the John Coltrane House.
Musicians who appeared here included Johnny DeFrancesco, Norman Connors and his Starship band, guitarist Paul Jackson Jr., Nnenna Freelon, Kim Waters, Jean Carne, Frank Morgan, Dexter Wansel and Pieces of a Dream.
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Sister Rosetta Tharpe was inducted into the Philadelphia Walk of Fame in 2017.
Alongside Willie Mae Ford Smith, Sister Rosetta Tharpe is widely acclaimed among the greatest Sanctified gospel singers of her generation; a flamboyant performer whose music often flirted with the blues and swing, she was also one of the most controversial talents of her day, shocking purists with her leap into the secular market — by playing nightclubs and theaters, she not only pushed spiritual music into the mainstream, but in the process also helped pioneer the rise of pop-gospel. Tharpe was born March 20, 1915 in Cotton Plant, AR; the daughter of Katie Bell Nubin, a traveling missionary and shouter in the classic gospel tradition known throughout the circuit as “Mother Bell,” she was a prodigy, mastering the guitar by the age of six. At the same time, she attended Holiness conventions alongside her mother, performing renditions of songs including “The Day Is Past and Gone” and “I Looked Down the Line.”
In time, the family relocated to Chicago, where Tharpe began honing her unique style; blessed with a resonant vibrato, both her vocal phrasing and guitar style drew heavy inspiration from the blues, and she further aligned herself with the secular world with a sense of showmanship and glamour unique among the gospel performers of her era. Signing to Decca in 1938, Tharpe became a virtual overnight sensation; her first records, among them Thomas A. Dorsey’s “Rock Me” and “This Train,” were smash hits, and quickly she was performing in the company of mainstream superstars including Cab Calloway and Benny Goodman. She led an almost schizophrenic existence, remaining in the good graces of her core audience by recording material like “Precious Lord,” “Beams of Heaven,” and “End of My Journey” while also appealing to her growing white audience by performing rearranged, uptempo spirituals including “Didn’t It Rain” and “Down by the Riverside.”