The High Priestess of Soul has been nominated for induction into the Rock & Roll Hall of Fame:
Nina Simone’s unapologetic rage and accusatory voice named names and took no prisoners in the African-American struggle for equality in the early 1960s.
Her triumphant voice sang what it meant to be young, gifted and black in a sometimes unjust and troubled world.
Nina Simone is one of 19 nominees in the Class of 2018.
Information on the induction process is available here. Fans can vote for up to five nominees once a day. Voting is open through 11:59 p.m. on December 5.
As of this writing, Ms. Simone is trailing behind in fan votes.
An unvarnished truth-teller, Nina Simone worked her magic “for the whole round world to hear.” Let’s show her the love that’s in our hearts. Vote early and often.
Sister Rosetta Tharpe was inducted into the Philadelphia Walk of Fame in 2017.
Alongside Willie Mae Ford Smith, Sister Rosetta Tharpe is widely acclaimed among the greatest Sanctified gospel singers of her generation; a flamboyant performer whose music often flirted with the blues and swing, she was also one of the most controversial talents of her day, shocking purists with her leap into the secular market — by playing nightclubs and theaters, she not only pushed spiritual music into the mainstream, but in the process also helped pioneer the rise of pop-gospel. Tharpe was born March 20, 1915 in Cotton Plant, AR; the daughter of Katie Bell Nubin, a traveling missionary and shouter in the classic gospel tradition known throughout the circuit as “Mother Bell,” she was a prodigy, mastering the guitar by the age of six. At the same time, she attended Holiness conventions alongside her mother, performing renditions of songs including “The Day Is Past and Gone” and “I Looked Down the Line.”
In time, the family relocated to Chicago, where Tharpe began honing her unique style; blessed with a resonant vibrato, both her vocal phrasing and guitar style drew heavy inspiration from the blues, and she further aligned herself with the secular world with a sense of showmanship and glamour unique among the gospel performers of her era. Signing to Decca in 1938, Tharpe became a virtual overnight sensation; her first records, among them Thomas A. Dorsey’s “Rock Me” and “This Train,” were smash hits, and quickly she was performing in the company of mainstream superstars including Cab Calloway and Benny Goodman. She led an almost schizophrenic existence, remaining in the good graces of her core audience by recording material like “Precious Lord,” “Beams of Heaven,” and “End of My Journey” while also appealing to her growing white audience by performing rearranged, uptempo spirituals including “Didn’t It Rain” and “Down by the Riverside.”