Tag Archives: Lee Morgan

Advocacy, Cultural Heritage Preservation, Lee Morgan

Lee Morgan Nominated for Pennsylvania Historical Marker

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Trumpeter Lee Morgan was killed by his former paramour at Slugs’, a New York City jazz club, on February 19, 1972. While only 33, Lee’s legacy includes collaborating as a sideman on John Coltrane’s Blue Train and Art Blakey & The Jazz Messengers’ Moanin’. As a bandleader, Lee recorded 30 albums for Blue Note Records, including The Sidewinder, one of the label’s best-selling albums.

Lee’s nephew, Raymond Darryl Cox, and I visited his grave on the 50th anniversary of his death. Lee was briefly united with his cherished flugelhorn.

To commemorate this milestone, All That Philly Jazz, along with Blue Note Records, Lee’s family, Mastbaum Area Vocational Technical High School alumni, business leaders, and Lee Morgan scholars and enthusiasts have nominated the legendary trumpeter for a Pennsylvania historical marker. A historical marker recognizes people, places and events that have had a measurable impact on their times, and are of statewide or national significance.

In his letter of support, Cem Kurosman, Vice President of Publicity at Blue Note Records/Capitol Music Group, said:

Fifty years after his death, Lee Morgan’s music remarkably continues to grow in stature. There remains a high level of interest from jazz fans all over the world in Lee’s life and music, which has fueled our efforts to reissue his Blue Note catalog so that his music can keep finding new generations of listeners. The expanded box set The Complete Live at the Lighthouse was widely acclaimed and sold out shortly after its release in August 2021. A historical marker would be a long overdue public memorial celebrating one of the greatest jazz musicians of all time.

Raymond Darryl Cox, executor of the Estate of Lee Morgan, said:

My mother, Ernestine Morgan Cox, was Lee’s older sister. She bought Lee his first trumpet and exposed him to jazz at the Earle Theater. JazzTimes named The Complete Live at the Lighthouse the number two historical album of 2021. The flugelhorn with which Uncle Lee posed on the album cover is a treasured family heirloom. Uncle Lee lives forever in our hearts. If the nomination for a Pennsylvania historical marker is approved, Lee Morgan will live forever in public memory.

Jazz master and trumpeter Cullen Knight met Lee in 1956. Knight was entering Mastbaum AVTS and Morgan was graduating from the storied high school. Knight said:

Lee’s heart and soul went into his music, and that’s what came out. Although Lee’s life was cut short, he said what he wanted to say with his trumpet and his compositions, and that was plenty.

The full press release is available here.

UPDATE: The review process for historical marker nominations ends in September with notification made shortly thereafter. This year, the review process has been extended until December. So we won’t know whether the Pennsylvania Historical and Museum Commission has approved the nomination until the end of the year. Let’s hope it’s a Merry Christmas for the Lee Morgan Family and Lee’s fans.

Advocacy, Lee Morgan

Stop Driving Us Crazy

In the coming months, we will make an announcement about legendary trumpeter and Philadelphia native Lee Morgan.

It’s driving me crazy that I can’t share the good news now. Instead, I will share Stop Driving Us Crazy, an animated safe driving PSA produced by the General Board of Temperance of the Methodist Church. Released in 1959, the soundtrack was scored by another Philadelphian, Benny Golson, and performed by Art Blakey and the Jazz Messengers featuring Lee Morgan on trumpet.

Jazz Venues, Lee Morgan

Red Hill Inn

The Red Hill Inn was located in Pennsauken, New Jersey.

The jazz spot played host to jazz luminaries, including Nina Simone, Anita O’Day, Stan Kenton, Duke Ellington, Dizzy Gillespie, Lee Morgan, Buddy Rich, Gene Krupa, Billie Holiday and Sonny Rollins.

Mel Tormé recorded a live album at the Red Hill Inn on March 24-25, 1962.

Advocacy, Cultural Heritage, Cultural Heritage Preservation, Lee Morgan

2021 DownBeat Readers’ Poll

The first DownBeat readers’ poll was published in 1952. Past winners with Philadelphia roots include John Coltrane, Billie Holiday, Lee Morgan, Jaco Pastorius, Sun Ra, Bessie Smith and Jimmy Smith.

Voting is open to subscribers of DownBeat magazine or their free eNewsletter. The poll closes on September 10. To vote, go here. 

Green Book, Jazz Venues, Lee Morgan

The Postal Card

The two-story jazz spot was first listed in The Negro Motorist Green Book in 1947.

Organist Austin Mitchell, Jr., was a featured attraction at The Postal Card.

Postal Card - Austin Mitchell

WRTI Jazz Host Bob Perkins shared that “Michel [sic] and his Hammond organ was his calling card.”

Trumpeter Lee Morgan had a week-long engagement at The Postal Card the last week in December 1961. According to a story published in the Philadelphia Tribune on January 6, 1962, Morgan didn’t finish his gig:

Here’s why Lee Morgan, the jazz trumpeter, cancelled out his week’s engagement at that South Philly club before it was over. He’s Army bound.

The Tribune later reported that Morgan was not drafted. Truth be told, it was wishful thinking. The talented trumpeter was in the throes of a heroin addiction.

Advocacy, Cultural Heritage, Lee Morgan

Jazz and People’s Movement

In 1970, a band of musicians sounded a call to arms over the exclusion of black jazz musicians in the mass media, specifically commercial television. Broadcast TV was the dominant medium of the era. Multi-instrumentalist Rahsaan Roland Kirk spearheaded Jazz and People’s Movement. Kirk circulated a petition in New York City jazz clubs which was signed by, among others, Lee Morgan, Charles Mingus, Andy Cyrrile, Freddie Hubbard, Cecil Taylor, Elvin Jones, Pharoah Sanders, Archie Shepp and Roy Haynes.

The petition read, in part:

Many approaches have been used through the ages in the attempted subjugation of masses of people. One of the very essential facets of the attempted subjugation of the black man in America has been an effort to stifle, obstruct and ultimately destroy black creative genius; and thus, rob the black man of a vital source of pride and liberating strength. In the musical world, for many years a pattern of suppression has been thoroughly inculcated into most Americans. Today many are seemingly unaware that their actions serve in this suppression – others are of course more intentionally guilty. In any event, most Americans for generations have had their eyes, ears and minds closed to what the black artist has to say.

Obviously only utilization of the mass media has enabled white society to establish the present state of bigotry and whitewash. The media have been so thoroughly effective in obstructing the exposure of true black genius that many black people are not even remotely familiar with or interested in the creative giants within black society.

[…]

Action to end this injustice should have begun long ago. For years only imitators and those would sell their souls have been able to attain and sustain prominence on the mass media. Partially through the utilization of an outlandish myth, that in artistic and entertainment fields bigotry largely no longer exists, and by showrooming those few blacks who have sold out, the media have so far escaped the types of response that such suppression and injustice should and now will evoke.

Jazz and People’s Movement took action. Demonstrators disrupted tapings of The Tonight Show with Johnny Carson, The Dick Cavett Show and The Merv Griffin Show. On signal, group members played noisemakers and instruments that they had smuggled into the studios. They also passed out leaflets and displayed placards.

Also in the ‘70s, trumpeter, arranger and all-around musical genius Quincy Jones was on the board of the Institute of Black American Music whose mission was similar to Jazz and People’s Movement.

Billboard - IBAM - Nov. 6, 1971

Fast forward to today, the multi-Grammy winning Jones is taking a journey into jazz and beyond with Qwest TV, the world’s first subscription video-on-demand platform dedicated to jazz from bebop to hip-hop. In a statement, Jones said:

The dream of Qwest TV is to let jazz and music lovers everywhere experience these incredibly rich and diverse musical traditions in a whole new way.

At my core, I am a bebopper, and over the course of my seventy-year career in music I have witnessed firsthand the power of jazz – and all of its off-spring from the blues and R&B to pop, rock and hip-hop, to tear down walls and bring the world together. I believe that a hundred years from now, when people look back at the 20th century, they will view Bird, Miles and Dizzy, as our Mozart, Bach, Chopin and Tchaikovsky, and it is my hope that Qwest TV will serve to carry forth and build on the great legacy that is jazz for many generations to come.

The streaming service will launch in fall 2017. For more info, visit Qwest TV.

Jazz Venues, Lee Morgan

Aqua Lounge

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Paul Myers opened the Aqua Lounge in 1968. It was one of Philadelphia’s premier jazz clubs. The Aqua Lounge was the first jazz venue on “the Strip.”

Aqua Lounge headliners included Roy Ayers, George Benson, Art Blakey, Dave Burrell, Betty Carter, Ron Carter, Johnny Coles, Charles Earland, Dizzy Gillespie, Dexter Gordon, Herbie Hancock, Jimmy Heath, Joe Henderson, Freddie Hubbard, Rahsaan Roland Kirk, Gloria Lynne, Hugh Masekela, Thelonious Monk, Lee Morgan, Irene Reid, Max Roach, Pharoah Sanders, Shirley Scott, Gil Scott-Heron, Archie Shepp, Horace Silver, Jimmy Smith, Dakota Staton, McCoy Tyner, and Jimmy Witherspoon.

In an interview with the University of Pennsylvania School of Arts and Sciences’ West Philadelphia Music Project, jazz drummer Lucky Thompson shared his memories of the Aqua Lounge:

And right along 52nd street, there was a club called the Aqua Lounge, it used to bring a lot of famous musicians through there, like Miles, Max [unclear], and I mean they would come out and stand in one of the corners smoking a cigarette, and Philly Joe Jones, and umm, a lot of Shirley Scott, a lot of famous musicians. Called the Aqua Lounge. That was one of the clubs known for being on the Strip.

Gil Scott-Heron name-checks the Aqua Lounge in “Is That Jazz?”

Lee Morgan had a week-long engagement at the Aqua Lounge in October 1971. It was his last hometown appearance before his tragic death four months later.

The Aqua Lounge closed around 1975. It is now the home of the African Cultural Art Forum.

Jazz Landmarks, Lee Morgan

Philadelphia Convention Hall

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Philadelphia Convention Hall, also known as Municipal Auditorium, was located in West Philly near the campus of the University of Pennsylvania.

Convention Hall - 34th and Spruce

The venue played host to many events, including the 1940 and 1948 Republican National Conventions, and the 1959 Penn Relays Jazz Festival. Luminaries such as Pope John Paul II, Martin Luther King Jr. and Nelson Mandela spoke here.

On October 19, 1957, the Philadelphia Jazz Festival was held at Convention Hall. Jazz trumpeter and Philly native Lee Morgan was on the bill, along with, among others, trumpeter Miles Davis, pianist Horace Silver and organist Jimmy Smith.

Convention Hall was demolished in 2005.

Green Book, Jazz Venues, Lee Morgan
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The legendary Showboat was located in the basement of the Douglass Hotel. Pianist Sam Dockery led the house band. The historical marker out front notes that Billie Holiday “often lived here.”

Douglass Hotel

Herb Keller bought the Showboat in 1950. He sold it to Herb Spivak in 1964. Spivak renamed the jazz spot the “Showboat Jazz Theatr” (purposely leaving off the “e”). All That Philly Jazz Director Faye Anderson interviewed Spivak on International Jazz Day 2019.

Herb Spivak - Faye M. Anderson

The Showboat was compact. Spivak more than tripled the seating capacity from 100 to 320. The small bandstand was behind the bar. The Showboat played host to jazz greats such as Miles Davis, Dizzy Gillespie, Lee Morgan, Art Blakey, Cannonball Adderley, Bootsie Barnes, Philly Joe Jones, Thelonious Monk, Aretha Franklin, Dinah Washington and Ramsey Lewis.

On June 17, 1963, John Coltrane Quartet recorded “Live at the Showboat” featuring Coltrane (sax) McCoy Tyner (piano), Jimmy Garrison (bass) and Roy Haynes (drums).