Tag Archives: Ralph J. Gleason

Congo Café

The Congo Café was located on Ridge Avenue in an old bank building (Northwestern Trust Company?). In a December 6, 1959 conversation with celebrated jazz journalist Ralph J. Gleason, Philly Joe Jones shared memories of the Congo Cafe:

In 1945 I came home, I was just out of the service and I wanted to play and I knew about the drums, I actually knew about the drums in 1939, an old fellow in Philadelphia who’s still there playin’, he’s playin’ every night, named Coatsville [James “Coatsville” Harris], and he used to help me, he used to teach me how to play the drums. I used to sit underneath the bandstand in the club because I was too young to be there. I wasn’t supposed to be there but he’d sneak me in and I’d be underneath the bandstand. It was an ex-bank and they made a nightclub out of it and they had a floor show and I used to watch the dancers and the chorus and three, four girls in the line and this drummer. I just idolized him and he’s still one of the swingingest older cats I’ve met, and I wanted to play so that he used to help me.

In the 1950s, Coatsville led an orchestra that featured a tenor saxophonist thought to be John Coltrane.

Conversations in Jazz: The Ralph J. Gleason Interviews is available on Amazon.com.

Lennox Grill

The Lennox Grill was located in North Philly across from drummer Philly Joe Jones’ childhood home on N. 19th Street between Columbia Avenue (now Cecil B. Moore Avenue) and W. Montgomery Street. In a December 6, 1959 conversation with celebrated jazz journalist Ralph J. Gleason, Philly Joe shared memories of the Lennox Grill:

I lived across the street from a place called the Lennox Grill in Philadelphia and I used to peek through the windows in the back of the club, and they had bars on the windows, so I used to always stand there and peek and look at this drummer. This man used to kill me, he had a pipe in his mouth and a regular old setup of drums, you know, no high hat, nothing like that, just a bass drum and a little cymbal. Cymbals were small then, but he was swinging like I don’t know what and I used to like to go there. My brother used to come around the corner and look up and see me peeking in the window and say, “Come on now!” and I’d go home—I only lived across the street. I used to sneak out of the house sometimes at night because they’d be playin’ after my bedtime, I had to go to school, but I used to sneak out of the house and run across the street, 10:30 and 11 o’clock at night I used to sneak out of the house and run across the street and peek in that window and listen to him playin’ drums.

Conversations in Jazz: The Ralph J. Gleason Interviews is available on Amazon.com.

Rendezvous Club

The Rendezvous Club was located in the basement of the Douglass Hotel.

Douglass Hotel

In a May 11, 1959 conversation with celebrated jazz journalist Ralph J. Gleason, trumpeter Dizzy Gillespie shared an anecdote:

… in Philly, I had an interesting experience with Roy [Eldridge]. All the bands used to come to Philly. When I got to Philly in ’35, Roy was with Teddy Hill and Chu [Berry], and they used to jam downstairs in the Rendezvous up under the Douglas Hotel where the Showboat is now. Well, those guys used to play and I wouldn’t dare play, you know. I’d just go and listen to those guys. So one time, I remember, Rex Stewart, Duke Ellington, and Teddy Hill were there at the same time and they had a session downstairs and Roy was down there that night. And Rex, you know, Rex was Roy’s idol. Roy tells now about the time he first heard Rex play that high B flat. Roy finally found that B flat. I guess, ‘cause when he come to Philadelphia that night they was jammin’ round there and Roy started playing. Damn, Rex started crying and just tightened up and left ‘cause Roy was in rare form that night. I didn’t meet Roy until way later. I met him there, but he didn’t remember me.

Conversations in Jazz: The Ralph J. Gleason Interviews is available on Amazon.com.

Ebony Lounge

The Ebony Lounge was located in the basement of the Hotel Chesterfield. Alonzo Kittrels of the Philadelphia Tribune reminisced:

[T]he Chesterfield Hotel, a landmark that deserves its own back-in-the-day column, given its significance in the lives of Black people. It was particularly important in the lives of the performers at the nearby Uptown Theater. This hotel was where many performers stayed while appearing at this venue.

Ebony Lounge - SCOOP USA

In a March 28, 1960 conversation with celebrated jazz journalist Ralph J. Gleason, bassist Percy Heath reminisced about his start as a professional musician:

But I remember when Red Garland did come to Philadelphia he was singing and playing “Billie’s Bounce” and “Now’s the Time” and we hadn’t heard those things, and he was sort of an authority on Charlie Parker tunes at that time. But there were an awful lot of promising musicians around Philadelphia. I really started with a trio. At that time we used to play in little cocktail bars and there was hotel there, the Philadelphia Chesterfield Hotel, they had a lounge. We played in there quite a bit and then we’d go around to Wilmington, Delaware, and play some club down there.

Conversations in Jazz: The Ralph J. Gleason Interviews is available on Amazon.com.