Tag Archives: Jazz

Hot Jazz and Cold War

In his opening remarks at the International Jazz Day global concert at the White House, President Barack Obama said:

Jazz is perhaps the most honest reflection of who we are as a nation. Because after all, has there ever been any greater improvisation than America itself? We do it in our own way. We move forward even when the road ahead is uncertain, stubbornly insistent that we’ll get to somewhere better, and confident that we’ve got all the right notes up our sleeve.

That “honest reflection of who we are as a nation” became an instrument of cultural diplomacy during the Cold War. Jazz musicians-turned-cultural ambassadors toured in more than 35 countries in Africa, Asia, Eastern Europe, Latin America and the Middle East. Jazz diplomacy was intended to win hearts and minds and promote a positive view of America as the land of freedom.

The irony of being ambassadors of freedom was not lost on jazz musicians who were treated as second-class citizens at home and subject to racial segregation.

As part of Jazz Appreciation Month, the USC Center on Public Diplomacy, the Public Diplomacy Council and the DC Jazz Festival presented a program on jazz and public diplomacy.

Dizzy Gillespie was the first Jazz Ambassador. The legendary Adam Clayton Powell Jr. was the catalyst behind the tour. His son, Adam Clayton Powell III, President of the Public Diplomacy Council, recently wrote:

Americans underestimate the impact of jazz on audiences around the world. And in a way that contributes to the power of international tours by U.S. jazz musicians, including and especially tours sponsored by the U.S. State Department.

[…]

During the Cold War, America’s most prominent “jazz ambassadors” included Dizzy Gillespie and Louis Armstrong – at a time when segregation was the law of the land in much of the U.S. and the civil rights movement was at its peak. And that created a conflict for many of musicians.

“You had people being hosed down with fire hoses and dogs sicced on them, and you had these reports going out across the world,” said [Willard] Jenkins. “So it did create a real issue for many of the African American musicians who were selected to make those tours.”

Then Jenkins read from instructions given to musicians by the State Department: “‘Remember who you are and what you represent. Always be a credit to your government.’”

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International Jazz Day 2016

All good things must come to an end. Jazz Appreciation Month is going out on a high note. On Saturday, April 30, America’s classical music will be celebrated across the globe, from Afghanistan to Zimbabwe.

International Jazz Day 2016

UNESCO Director General Irina Bokova said in a statement:

Jazz was born in the U.S. and traveled the world as a music of tolerance, freedom and human dignity. This is why UNESCO created International Jazz Day and we are extremely pleased that in 2016 Washington, DC has been designated the host city for this global celebration, with a unique All Star Concert at the White House, hosted by the President of the United States Barack Obama and First Lady Michelle Obama. This event reminds us Jazz is more than music – it is a universal message of peace with rhythm and meaning.

Jazz at the White House - 4.25.16

UNESCO Goodwill Ambassador Herbie Hancock added:

We are thrilled that President Obama and Michelle Obama are hosting the International Jazz Day All-Star Global Concert at the White House, and are truly grateful for their commitment to jazz and its role in building bridges and uniting people around the world. Over the past five years, the innovation and creativity of Jazz Day has been a beacon of light to millions of people who find common ground and communicate through the values inherent in jazz. On April 30th, people of all ages in all corners of the globe will participate in International Jazz Day. A wide range of momentous events will take place in thousands of neighborhoods – and the streets will be alive with the sounds of peace and freedom.

The all-star global concert will air on ABC-TV at 8pm ET.

April is National Poetry Month

April is Jazz Appreciation Month. It’s also National Poetry Month.

National Poetry Month 2016

It’s probably no coincidence the two art forms are celebrated during the same month. After all, the Harlem Renaissance gave birth to jazz poetry. The most celebrated jazz poet is Langston Hughes who collaborated with jazz musicians, including Charles Mingus and Thelonious Monk.

In his 1926 essay, “The Negro Artist and the Racial Mountain,” Hughes wrote:

But jazz to me is one of the inherent expressions of Negro life in America; the eternal tom-tom beating in the Negro soul—the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.

In 1958, Hughes recorded his poem, “The Weary Blues,” over jazz composed by Mingus and Leonard Feather.

Also, check out a reading of “The Weary Blues” by Rev. Dr. Allen Dwight Callahan, a Philly native and former professor at Harvard Divinity School.

Jazz Appreciation Month 2016

Since 2002, April has been designated on Jazz Appreciation Month. The National Museum of American History will kick off the celebration with a salute to Benny Carter:

To kick off Jazz Appreciation Month 2016, the Smithsonian Jazz Masterworks Orchestra salutes the masterworks of this year’s featured poster artist, saxophonist, trumpeter, composer and arranger, Benny Carter. Affectionately known as “King,” Carter was a major contributor in the development of jazz. As a musician, he helped shape the alto sax as a solo instrument in jazz; as a composer, he helped create the vocabulary of swing; and as a bandleader and arranger he broke down racial boundaries in jazz and spread the music around the world. As Miles Davis once said, “everyone should listen to Benny Carter, he’s a whole music education.

Carter’s legacy includes arranging the music for the Hollywood film “Stormy Weather.”

To find new ways to celebrate Jazz Appreciation Month, visit Smithsonian Jazz or JAM at the National Museum of American History.

U.S. Postal Service Tribute to Sarah Vaughan

On March 29, 2016, at the Sarah Vaughan Concert Hall at Newark Symphony Hall, the United States Postal Service released the Sarah Vaughan Forever Stamp.

Sarah Vaughan - Available Now

Deputy Postmaster General Ronald Stroman dedicated the stamp:

As one of the most compelling vocalists in American history, Sarah Vaughan was renowned for her artistic eloquence. Her dynamic vocal range, iconic vibrato, and innovative phrasing helped to transform jazz and popular music. The Postal Service is proud to honor Sarah Vaughan. Let this stamp serve as a lasting tribute to her legacy.

Trumpeter Wynton Marsalis, who played with Miss Vaughan when he was 21 years old, sent a video tribute:

It’s only fitting that Sarah Vaughan is being memorialized with a forever stamp. She was great on so many levels. In honoring her, we honor ourselves. And her talent is truly forever.

The Sarah Vaughan Forever stamp is available at local post offices or online.

Philly Celebrates Jazz 2016

April is Jazz Appreciation Month. The City of Brotherly Love and Sisterly Affection got the party started early with the Philly Celebrates Jazz kickoff on March 28th.

#PhillyJazzMonth Banner

Mayor Jim Kenney proclaimed April as Philadelphia Jazz Appreciation Month. He also honored Philly native and Grammy Award-winning bassist and composer Christian McBride who was given an inscribed Liberty Bell, the equivalent of the key to the city.

Mayor Kenney - Christian McBride

Kenney said:

Christian McBride is an ambassador of Philadelphia to the world, not only through his music, but also through his work as an educator and advocate for music education. Christian’s story and accomplishments demonstrates the power of arts education, in our schools and communities, and the impact it can have on a person’s life and how we can encourage and build the next generation of musicians, artists, and creative thinkers.

The Philadelphia Clef Club of Jazz and Performing Arts was also recognized on its 50th anniversary. The Clef Club was the social arm of Union Local 274, the black musicians union.

David Oh - Derek Green - Don Gardner - Lovett Hines - Proclamation

Philly Celebrates Jazz includes live performances, film screenings and art exhibitions. Now on view at City Hall are two photography exhibitions, Live Philly Jazz – Through the Photographic Lens and The Clef Club at 50, a retrospective curated by Don Gardner, Managing Director of the Philadelphia Clef Club, and Artistic Director Lovett Hines.

Art Exhibition

For a full calendar of Philly Celebrates Jazz events, visit http://bit.ly/PhillyJazzMonth.

Women in Jazz: Sarah Vaughan

March is Women in Jazz Month. To mark the occasion, the U.S. Postal Service is issuing the Sarah Vaughan Forever stamp.

Sarah Vaughan Stamp

NJ.com reports:

Jazz legend Sarah Vaughan is being honored with a U.S. Forever stamp, which will be released March 29 with a free concert at her hometown’s Newark Symphony Hall.

Vaughan, who sang in the Mt. Zion Baptist Church Choir and attended Arts High School, joins the ranks of Elvis Presley, Ray Charles, Janis Joplin, Jimi Hendrix and Johnny Cash, all part of the Postal Service’s Music Icons stamp series. The stamp is an image of a Bart Forbes oil painting based on a 1955 photograph by Hugh Bell of Vaughan in performance.

The Grammy- and Emmy-winning singer nicknamed “The Divine One” and “Sassy” died of lung cancer in 1990 at 66. A member of the Jazz Hall of Fame and the New Jersey Hall of Fame, her hits include “Misty,” “Broken-Hearted Melody,” and “Send in the Clowns.”

The First-Day-of-Issue dedication ceremony will be held on March 29 at 11:00 a.m. at the Sarah Vaughan Concert Hall of Newark Symphony Hall. The gala event features a Proclamation from Newark Mayor Ras Baraka and remarks from Grammy Award-winning vocalist Dianne Reeves. The musical highlights include performances by actress and singer Melba Moore, the Mount Zion Baptist Church Choir and the NJPAC Jazz for Teens Ensemble with Jazzmeia Horn.

Information on how to obtain free tickets for the concert is available here.

Malcolm X and Historic Preservation

Before his awakening, Malcolm X was known as “Detroit Red,” a fixture on the jazz scene in Harlem. In 1948 while incarcerated in the Norfolk State Colony in Massachusetts, Malcolm joined the Nation of Islam. In 1954, Elijah Muhammad sent him to Philadelphia to expand Temple No. 12.

Until recently, there was confusion about where Malcolm X resided during his time in Philadelphia. Eyewitness and videotaped firsthand accounts have confirmed his address in Sharswood. So All That Philly Jazz is sponsoring the nomination of 2503 W. Oxford Street for listing in the Philadelphia Register of Historic Places.

In a Q&A with Hidden City Philadelphia’s Mike Bixler, All That Philly Jazz Director Faye Anderson talks about Malcolm X, jazz and historic preservation:

Michael Bixler: The FBI files from 1954 have Malcolm X at living at 1522 N. 26th Street, but you have discovered otherwise. How did you confirm that 2503 Oxford Street was his correct address?

Faye Anderson: On January 16, the Pennsylvania Legislative Black Caucus held a screening of civil rights documentaries at the Pearl Theater. One of the films screened was “Seeds of Awakening: The Early Nation of Islam in Philadelphia,” which included first-hand accounts of Malcolm X’s time in the city. In the film Brother Richard Hassan recalled:

We would sit up all night. When Malcolm was here, we’d sit up all night talking. We had a Unity House, a Fruit House, on 2503 Oxford Street. A big house. That’s where Malcolm would stay and all the brothers would come.

The documentary was produced by the New Africa Center, part of the Scribe Video Center’s Muslim Voices of Philadelphia community history project. I have since spoken with Abdul Rahim Muhammad, executive director of the New Africa Center, who confirmed the address with Brother Hassan. While Hassan no longer lives in the Philadelphia area, I have his phone number so I will be able to get an affidavit from him if necessary. I also have contact information for Malcolm’s former press secretary and photographer.

MB: What are the next steps to getting an historical marker placed?

FA: Architectural historian Oscar Beisert and I are preparing the form to nominate 2503 W. Oxford Street for historic designation by the Philadelphia Historical Commission and the Pennsylvania Historical and Museum Commission. We will submit the nomination on or about February 21, 2016, the 51st anniversary of the assassination of El-Hajj Malik Shabazz [Malcolm X].

MB: Why is it important to you to have an historical marker placed there?

FA: The historical marker is important because 2503 W. Oxford Street is a place where history happened. Malcolm X lived there for about six months in 1954. To be clear, the house does not meet architectural standards for historic properties. Instead, the building has significance in the cultural characteristics of Philadelphia and is associated with a person significant in the past. The building also exemplifies the political, social and cultural heritage of the African American community. What happened at 2503 W. Oxford Street laid the foundation for what is now one of the largest populations of African-American Muslims in the country.

The historical marker will tell a more complete story about the Sharswood neighborhood. Sharswood is about more than concentrated poverty and race riots. It’s a community that provided safe havens from the indignities of segregation. Jazz giants roamed Ridge Avenue and iconic leaders like Malcolm X and Charles W. Bowser resided there.

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Barney Gordon’s Saloon

Barney Gordon’s was located in South Philly. In her autobiography, Philadelphia Walk of Famer Ethel Waters wrote:

Barney hired me, and after I’d sung two nights at his place he offered me a steady job at fifteen dollars a week. I sang there six nights a week and on Thursday afternoons. Servant girls and houseworkers had that afternoon off, and they’d come to Barney Gordon’s to drink and relax. We called them “the Thursday girls.”

[…]

Barney Gordon’s saloon was on the ground floor. We entertained, though, in a big room upstairs where the customers sat at tables. There was only a two-piece band. Toots Moore, the drummer, and a piano player who could play only in two keys.

Ethel Waters’ autobiography, His Eye is on the Sparrow, is available at Amazon.com.

Little Rathskeller

Kaliner’s Little Rathskeller was popular in the 1940s. The Ink Spots were a club favorite.

In 1993, former press agent Sam Bushman recalled:

The Ink Spots were just starting. Their record “If I Didn’t Care” made them superstars overnight. But they were committed to come back to the Rathskeller several times more at their old price.

Little Rathskeller was located at the corner of Broad and Spruce.