I am an advocate for the arts. I believe in the power of art to transform lives and ignite social change. Last summer, the Arthur Ross Gallery invited citizens to select an artwork from the University of Pennsylvania Art Collection to be included in a crowdsourced installation, Citizen Salon.
I was among 600+ people who responded. The citizen curators included art historians, Penn faculty, artists, scientists and ordinary citizens. I selected a portrait of Marian Anderson, the first African American soloist to perform with the New York Metropolitan Opera. The top 50 picks are now on view, including Robert Savon Pious’ portrait of the world-renowned contralto.
I was asked to provide commentary for the label and audio tour which you can listen to here.
Citizen Salon will be on view at the Arthur Ross Gallery through March 24, 2019.
UPDATE: I’m the featured citizen curator on the Arthur Ross Gallery blog.
The Sahara Club was located in the Sahara Hotel, which was on the same street as the Showboat.
I was singing in a jazz club called the Sahara. He had a record shop right round the corner and I was singing with a trio at the Sahara club on Friday, Saturday, and Sunday. He came over and said, “I am starting a record company and I would like to sign you.” Low and behold I took all the material I sung every weekend and I did an album in three and a half hours — a whole album. I had this album, and I produced it — me and my wife.
And we gave him this album called “Feelin’ Good at the Cadillac Club” to help start the record company and that was the album that helped start it up. I was singing totally jazz then, but when I heard The Beatles and heard the gospel influence and everything I just said I can make jazz with R&B.
Gamble later wrote and produced “Me and Mrs. Jones,” which was Philadelphia International Records’ first #1 hit.
In 1919, President Woodrow Wilson proclaimed November 11 as Armistice Day:
To us in America, the reflections of Armistice Day will be filled with solemn pride in the heroism of those who died in the country’s service and with gratitude for the victory, both because of the thing from which it has freed us and because of the opportunity it has given America to show her sympathy with peace and justice in the councils of the nations.
November 11 commemorates the armistice agreement Allied powers signed with Germany bringing hostilities to an end on the “eleventh hour of the eleventh day of the eleventh month” of 1918.
In June 1954, Congress passed legislation changing the name from Armistice Day to Veterans Day, a day to honor veterans of all wars. On October 8, 1954, President Dwight D. Eisenhower issued the first Veterans Day Proclamation.
Just six years earlier, President Harry S. Truman signed Executive Order No. 9981 establishing the President’s Committee on Equality of Treatment and Opportunity in the Armed Services. The EO signaled the government’s commitment to integrate the military.
United Service Organizations (USO) policy expressly banned racial discrimination. However, there were separate facilities for African American servicemen in the Jim Crow South and segregated North. In Philadelphia, USO sites for African Americans included Parker Hall and South Broad Street USO. Billie Holiday entertained the soldiers at both locations.
Parker Hall was on the top floor of the Parker Building.
The Parker Building is now home to the ACES Museum whose mission is to preserve the history of World War II veterans and restore Parker Hall as a functioning USO for black veterans and their families. The ACES Museum is headquarters of the Philadelphia Chapter of the National Association of Black Veterans.
For more information, visit www.acesmuseum.online.
The inaugural Philadelphia Jazz Summit will be held November 2-3, 2018. Spearheaded by jazz bassist Gerald Veasley, the event will bring together musicians, jazz enthusiasts, advocates, funders, and the arts and culture community.
Veasley, president of Jazz Philadelphia, said in a statement:
The time has come for Philadelphia to be recognized as the world-class jazz destination it is. Philadelphia has been fertile soil for jazz for over 100 years. The city has served as a launching pad for the careers of legends such as John Coltrane, Dizzy Gillespie, Billie Holiday, Lee Morgan, Melody Gardot, Christian McBride, Grover Washington, Jr., Sun Ra and many more.
Jazz Philadelphia is here to provide more opportunities for the next generation of musicians to play here, stay here, and share their talent with the world. I’ve had a wonderful career as a Philadelphia-based musician, and I want to ensure that others can do the same.
The schedule includes speakers, workshops, and panel discussions that cover a wide range of topics, including applying for grants and residencies, educating artists and audiences, and playing in unconventional spaces. I’m on the panel, “The Philadelphia Story.” I’ll talk about ongoing project to document Philly’s jazz spots from A to Z, from the Aqua Lounge to Zanzibar Blue.
Nnenna Freelon, a jazz singer, composer, producer, arranger and six-time Grammy® nominee, is the keynote speaker. Freelon was selected in recognition of her cultural activism and commitment to social justice.
The Philadelphia Jazz Summit is free but you must register.
The 27th annual Philadelphia Film Festival kicks off this week with the screening of Ben is Back starring Julia Roberts and Lucas Hedges as mother and son who are grappling with a history of addiction.
The story is ripped from the headlines as Philadelphia struggles to deal with the opioid drama unfolding on the streets of Kensington.
Executive Director J. Andrew Greenblatt said in a statement:
From our powerful, socially relevant and incredibly timely Opening Night screening of Ben is Back to the definitive look at Philadelphia music legend Teddy Pendergrass for our Closing Night selection, and the incredibly diverse line-up in-between, the films premiering in this year’s Festival will be discussed and remembered for a long time to come.
Artistic Director Michael Lerman added:
Andrew and I have been doing this together for ten years and I love that we continue to find fresh, unique films that delight and challenge audiences. I’m so proud of the program the team has put together and I can’t wait to share the adventure we have in store for you.
What’s in store is a lineup of more than 100 films over 11 days. As a curator of art, technology and social change content, my must-see films include:
The film is based on a true friendship. Art also imitates life. Before passage of the Civil Rights Act of 1964, African American motorists used the “Green Book” travel guide to vacation without humiliation.
The Closing Night film, Teddy Pendergrass: If You Don’t Know Me, tells the untold story of Philadelphia’s legendary R&B singer whose “For Women Only” concerts were the stuff of, well, legends.
To view the full schedule and purchase tickets, go here.
Wurlitzer’s was a musical instrumental store located in Center City. It was also known as Music City.
During an appearance on “The Dick Cavett Show” in 1973, Philly native Bill Cosby recounts buying a drum set and taking lessons at Wurlitzer’s. The erstwhile drummer provides a snapshot of the jazz scene back in the day