Philadelphia is a jazz town. This fact will be underscored on Wednesday, October 19th when the Philadelphia Music Alliance inducts the Class of 2016 into the Walk of Fame. This year’s inductees are organist Joey DeFrancesco, tenor saxophonist Benny Golson, bassist Christian McBride, bassist Jaco Pastorius, and WRTI radio broadcaster Bob Perkins
PMA Board chairman Alan Rubens said in a statement:
The Alliance is very excited to be able to specifically honor jazz this year as an extension of Philadelphia’s essential ties to this unique American art form’s rich legacy. It’s important to be reminded of the global impact and influence that Philadelphia has continued to bring to the jazz world, since the Roaring ’20s. Jazz doesn’t always get its due these days, even though it’s current as ever. Jazz is today, and it’s very much got a thriving pulse in our great city.
Jaco Pastorius, the man who revolutionized how the bass guitar is played and who is, for many, the best and most influential bass guitarist ever, didn’t start his musical life on the instrument. Instead, the man who would be the master of the fretless electric bass was a drummer.
A drummer, just like his dad, Jack Pastorius, a big band player and singer. Jaco was the first of three children born to Jack and his wife, Stephanie. He arrived on Dec. 1, 1951 in Norristown, Pennsylvania, near Philadelphia. John Francis Anthony Pastorius III was quickly given a nickname by his parents – “Jocko,” which transformed into “Jaco” in the early 1970s when a French-born musician friend and neighbor, Alex Darqui, spelled it that way by mistake. Jaco liked the alternate spelling, and kept it.
When Jaco was almost eight years old, his family moved to Oakland Park, Florida, near Fort Lauderdale. Jaco was a sweet, competitive kid, who loved to play games, including football. As the son of a musician, he was interested in music, too, and bought a small drum kit with money earned as a newspaper delivery boy. His two interests collided in 1964 during a youth league football practice in which Jaco’s wrist was badly injured, so much so that it eventually required corrective surgery. Jaco continued to play drums after that, but it was far more difficult that it had been prior to that hit in practice.