The arrival of the “White Lion” at Point Comfort (Hampton), Virginia on August 20, 1619 marks the beginning of 250 years of chattel slavery in America. The slave ship carried “20 and odd” Africans who were traded to the English colonists for food.

Hungry for attention, Florida Gov. Ron DeSantis pushed through new Black history standards that instruct students that enslaved Africans developed skills that, “in some instances, could be applied for their personal benefit.” DeSantis offered to debate Vice President Kamala Harris on whether slavery benefited Black people. Harris told DeSantis to take a seat.

The erasure of Black history is American history. The Metropolitan Museum of Art recently acquired a 19th century portrait from which an enslaved child had been erased. The New York Times reports:

For many years, a 19th century painting of three white children in a Louisiana landscape held a secret. Beneath a layer of overpaint meant to look like the sky: the figure of an enslaved youth. Covered up for reasons that remain unspecified, the image of the young man of African descent was erased from the work around the turn of the last century, and languished for decades in attics and a museum basement.

Through conservation and historical research, the children and their enslaved caretaker have been identified.

“Bélizaire and the Frey Children” will be on view at The Met in the fall.