Category Archives: Blog

Preservation Month 2019: Gentrification and Displacement

May is Preservation Month, a time to celebrate historic places that matter to you. What matters to me is the loss of historic places that hold the ancestors’ stories of faith, resistance and triumph.

#DisappearingBlackness - Where's Our Story

A recent report by the National Community Reinvestment Coalition found that Philadelphia has the fourth highest rate of gentrification. The 34-page report is encapsulated in a statement by Midwood Development & Investment CEO John Usdan who lays bare that gentrification and cultural displacement go hand-in-hand:

Because the city’s so rich in history and has all these great historic buildings and amazing places where you want to congregate, it’s exactly what the demographic moving to Philly wants.

The demographic moving to Philly does not look like the demographic that is being displaced. At the same time Usdan gushes over Philadelphia’s rich history, he plans to demolish the Henry Minton House. For Usdan, black history apparently is not American history.

As I commented before the Philadelphia Historical Commission when the property was nominated for listing on the local register, this places matters:

Henry Minton belonged to an elite guild of caterers and was a leader in the free black community. In The Philadelphia Negro, W.E.B. DuBois wrote that Minton “wielded great personal influence, aided the Abolition cause to no little degree, and made Philadelphia noted for its cultivated and well-to-do Negro citizens.”

There is not much more to add other than Minton provided freedom fighter John Brown “with bed and board” shortly before his raid upon Harper’s Ferry. It should also be noted that Minton is listed on the iconic Civil War poster, “Men of Color, To Arms!” Clearly, the nomination satisfies Criteria A and J for Designation.

The provenance of the front façade is a distraction. The property is not being nominated because of its architectural significance. So the National Register roadmap for evaluating integrity is irrelevant. Viewed through the African American lens, it’s not about bricks and mortar. It’s about recognizing that our stories matter. African American history matters.

Commission members acknowledged the property does indeed meet the criteria for designation. Still, they reversed the unanimous decision of the Committee on Historic Designation and voted to toss the building on the trash heap of history.

Henry Minton Residence - Committee on Designation Vote

#PhilaHistorical Commission Vote to Decline Designation - April 12, 2019

This year marks the 400th anniversary of the arrival of the first enslaved Africans to British North America. While African American history is more than slavery, our story begins with the arrival of “20 and odd Negroes” in Virginia. So whether one focuses on 1639 when the first enslaved Africans arrived in Philadelphia or 1939 when Billie Holiday first recorded “Strange Fruit,” the African American story cannot be told without Philadelphia.

So where’s our story? I will talk about disappearing blackness on WHYY Radio Times on Thursday, May 9, 2019, 10:00 – 11:00 am. The station can be heard in Philadelphia and New Jersey. You can join the conversation on Twitter (@whyyradiotimes) or call 888-477-9499.

Ironically, WHYY is in the footprint of Pennsylvania Hall, a purpose-built meeting place for abolitionists that was burned to the ground by a pro-slavery mob three days after it opened. Philadelphia’s mayor, firefighters and police stood by and did nothing.

Pennsylvania Hall Marker

Pennsylvania Hall - WHYY

Fast forward to today, Philadelphia Mayor Jim Kenney does nothing as black presence is erased from public spaces.

International Jazz Day 2019

All good things must come to an end, including Jazz Appreciation Month. But the celebration of America’s gift to the world will end on a high note at the International Jazz Day Global Concert in Melbourne, Australia.

International Jazz Day All-Star Global Concert 2019

In November 2011, the United Nations Educational, Scientific and Cultural Organization (UNESCO) designated April 30 as International Jazz Day “in order to highlight jazz and its diplomatic role of uniting people in all corners of the globe”:

International Jazz Day brings together communities, schools, artists, historians, academics and jazz enthusiasts all over the world to celebrate and learn about jazz and its roots, future and impact; raise awareness of the need for intercultural dialogue and mutual understanding; and reinforce international cooperation and communication. Every year on April 30, this international art form is recognized for fostering gender equality and for promoting individual expression, peace, dialogue among cultures, diversity, respect for human dignity, and the eradication of discrimination.

Jazz pianist Herbie Hancock (USA) and trumpeter James Morrison (Australia) are artistic co-directors of the All-Star Global Concert; John Beasley (USA) is the musical director. Confirmed artists include: Confirmed artists include: Cieavash Arian (Iran), William Barton (Australia), Brian Blade (USA), Dee Dee Bridgewater (USA), A Bu (China), Igor Butman (Russian Federation), Joey DeFrancesco (USA), Eli Degibri (Israel), Kurt Elling (USA), James Genus (USA), Paul Grabowsky (Australia), Antonio Hart (USA), Matthew Jodrell (Australia), Aditya Kalyanpur (India), Ledisi (USA), James Muller (Australia), Eijiro Nakagawa (Japan), Mark Nightingale (United Kingdom), Chico Pinheiro (Brazil), Tineke Postma (Netherlands), Eric Reed (USA), Antonio Sánchez (Mexico), Somi (USA), Ben Williams (USA), Lizz Wright (USA) and Tarek Yamani (Lebanon).

Feeling down because you can’t make it Down Under? No problem. The concert will be webcast on YouTube.

2019 NEA Jazz Masters

Since 1982, the National Endowment for the Arts has awarded Jazz Masters Fellowships, the nation’s highest honor in jazz, to individuals who have made significant contributions to America’s classical music.

2019 NEA Jazz Masters

The 2019 NEA Jazz Masters are:

  • Bob Dorough — vocalist, composer, arranger, pianist
  • Abdullah Ibrahim – pianist, composer
  • Maria Schneider — composer, arranger, bandleader
  • Stanley Crouch — jazz historian, author, critic, co-founder of Jazz at Lincoln Center

NEA Acting Chairman Mary Anne Carter said:

The National Endowment for the Arts is proud to celebrate jazz, an art form born in the United States that has since been embraced worldwide. These four new NEA Jazz Masters have been key players in jazz throughout their lives and careers, ensuring that the music will continue to grow and reach new audiences.

The NEA Jazz Masters Tribute Concert will be held at the John F. Kennedy Center for the Performing Arts on Monday April 15, 2019 at 8:00pm ET. Hosted by Kennedy Center Artistic Director Jason Moran, the concert will include remarks by 2019 NEA Jazz Masters and feature performances by, among others, Terence Blanchard, Terri Lyne Carrington, Kurt Elling, Bill Goodwin, Cleave Guyton, Noah Jackson, Sheila Jordan, Grace Kelly and Christian McBride.

The concert will be livestreamed on the National Endowment for the Arts and Kennedy Center websites. For more information, go here.

Philly Jazz Legacy Project Social and Scanning Party

You are invited to the Spring Social and Scanning Party hosted by Documenting & Interpreting the Philly Jazz Legacy Project, Jazz Bridge and Philadelphia Jazz Project on Thursday, April 11, 2019, 6-8 p.m., at the Philadelphia Clef Club for Jazz & Performing Arts.

Please come and share photographs, clippings, posters, concert programs, etc., of the jazz scene back in the day.

Spring Social and Scanning Party Flyer - Clef Club

The event is free but you must register here.

Marvin Gaye Forever

Motown legend Marvin Gaye was born on April 2, 1939. To celebrate what would have been the 80th birthday of the “Prince of Soul,” the United States Postal Service will release the Marvin Gaye Commemorative Forever® Stamp.

Marvin Gaye - Forever Stamp2

In a Facebook post, USPS wrote:

Dear Music Fans,

We’re honoring the life, legend and sound of Marvin Gaye (1939 – 1984) with the newest stamp in our Music Icons series. Pictured here in front of Washington D.C.’s @howardtheatre, where he graced the stage, our stamp features a portrait of Gaye inspired by historic photographs.

With hits like “Ain’t Nothing Like the Real Thing,” “I Heard It Through the Grapevine,” and “Too Busy Thinking About My Baby,” Gaye helped shape the buoyant sound of the Motown record label in the 1960s. Released in 1971, his expansive masterwork, “What’s Going On,” is widely considered one of the greatest recordings in the history of American popular music.

Gaye’s presence and unique sound will live on forever through his music and now through the mail. Send some soul by including the Marvin Gaye stamp on your envelope.

The Marvin Gaye Commemorative Forever® Stamp will be unveiled at the Greek Theatre in Los Angeles. You can watch the dedication ceremony on the USPS Facebook page at www.facebook.com/USPS on Tuesday, April 2, 2019 at 11 a.m. PDT.

Jazz saxophonist Elan Trotman will be present at the celebration. Later that day, he will drop a tribute album, “Dear Marvin,” a collection of ten of the iconic crooner’s best songs.

Marvin Gaye - Elan Trotman

Trotman told JazzCorner.com:

It’s been an honor to be able to share my interpretations of some of Marvin’s classics. As with all cover projects, I made an extra effort to learn lyrics and storylines for each composition in order to truly understand his interpretations and performances on each song.

You’ve got to give it up for Marvin Gaye who is forever stamped in our hearts and minds.

International Day of Remembrance of Victims of Slavery and Transatlantic Slave Trade 2019

In 2007, the United Nations General Assembly designated March 25 as an annual International Day of Remembrance of Victims of Slavery and Transatlantic Slave Trade.

In a video message, UN Secretary-General António Guterres said:

The transatlantic slave trade was one of history’s most appalling manifestations of human barbarity. We must never forget the crimes and impacts, in Africa and beyond, across the centuries.

[…]

We need to tell the stories of those who stood up against their oppressors, and recognize their righteous resistance. On this International Day of Remembrance, we pay homage to the millions of African men, women and children who were denied their humanity and forced to endure such abominable cruelty.

Harriet Tubman stood up against her oppressors. After her escape, she returned to Maryland and led hundreds of men, women and children to freedom in the North. Tubman repurposed lyrics from the slave song “Wade in the Water” to instruct enslaved African Americans on how to avoid detection.

Fittingly, on this International Day of Remembrance, the National Museum of African American History and Culture unveiled the Emily Howland photography album that contains a previously unknown portrait of Tubman. It is believed to be the earliest existing photo of the celebrated Underground Railroad conductor.

Harriet Tubman - NMAAHC Unveiling - March 25, 2019

NMAAHC Founding Director Lonnie G. Bunch III said in a statement:

This photo album allows us to see Harriet Tubman in a riveting, new way; other iconic portraits present her as either stern or frail. This new photograph shows her relaxed and very stylish. Sitting with her arm casually draped across the back of a parlor chair, she’s wearing an elegant bodice and a full skirt with a fitted waist. Her posture and facial expression remind us that historical figures are far more complex than we realize. This adds significantly to what we know about this fierce abolitionist—it helps to humanize such an iconic figure.

We also know the legacy of forced migration and 250 years of free labor is present today. It is present in the wealth gap, school-to-prison pipeline and inequitable school funding. The brutalization of black bodies dates back to the policing of enslaved African Americans by slave patrols.

Slave-Patrol-Article-

The struggle continues.