About

All That Philly Jazz is a place-based public history project that is telling the story of Philadelphia jazz from bebop to hip-hop. We are mapping Philly’s lost jazz shrines from A to Z, from the Aqua Lounge to Zanzibar Blue. From Dizzy Gillespie at the Downbeat to The Roots mural on South Street, we are documenting jazz-related cultural assets.

In an essay in “Lost Jazz Shrines,” noted author and scholar James G. Spady observed that Philly’s jazz history is “largely undocumented.” Sadly, much of Philadelphia’s jazz history has been erased. Few extant buildings remain. Jazz venues fell victim to the 1964 race riots, urban renewal and gentrification. As a result, the history largely resides in the memories of those who were there. So All That Philly Jazz is crowdsourced. Community members are invited to share their stories about Philly’s jazz scene online or at public events. We also dig in archives to uncover the story behind the story.

We are creating and curating content. All That Philly Jazz is a platform – a virtual jazz scene – where users can share memories of a jazz spot and the musicians who played there.
Jazz Musicians - Feature
All That Philly Jazz is about advocacy and cultural heritage preservation.

Billie Holiday Joins Walk of Fame - 4.8.15We successfully advocated for a new mural to replace the ‘Tribute to John Coltrane” mural that was demolished by a developer.

why-we-love-coltrane-acknowledgements

Beginning in September 2019, we will lead monthly Philadelphia Jazz Heritage Walking Tour: Green Book Edition. The walk will begin at the Bellevue-Stratford Hotel (now The Bellevue Philadelphia) and end at the repurposed Attucks Hotel.

All That Philly Jazz stems from Music Hack Day, a music-related hackathon held at the ExCITe Center at Drexel University.

Hackers - 5.18.13

All That Philly Jazz is at the intersection of art, public policy and cultural heritage preservation. For more information, check out #ICYMI: All That Philly Jazz in the News.

2 thoughts on “About”

  1. Thank you for recognizing Club Zel-Mar for its contributions in the promotion of Jazz in the city of Philadelphia. I am the daughter of one of the owners and we have little to no information left to own. Unfortunately both my uncle and father died very young. My brothers kept the bar open after their deaths by the city took our properties via eminent domain.

  2. If you are the Faye Anderson who worked for/with Nina Simone ca. 1962 I would love to see you and talk to you again.

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